Vanilla, but certainly not plain
When you're watching old movies, and I mean really old movies, especially in a modern, or perhaps not so modern, theater, there's a tendency to treat them with a kind of reverential awe. I remember clearly how when Colleen and I went to see the restored version of Fritz Lang's Metropolis, we were shushed by a woman whose silent movie experience was obviously being ruined by our muffled conversation. If the historinos are correct, this is the polar opposite of what the silent movie experience used to be, namely a rather raucous affair.
Though this practice never existed in the US, in Japan (and, I have it on good account, Poland as well) there is to this day a tradition of performing a silent film as it's being projected. This is to say the katsu benshi would tell a story of what is happening in the film not merely supply dialogue to the beat of the actors' mandibular gesticulation. The benshi is literally reading the movie to the audience as they watch.
But now that movies have blow your ass off digital sound, you can imagine there isn't much need for the benshi anymore. As a result, they tend to be quite the character. The young woman pictured above is Yamazaki Vanilla--yes, her name is Vanilla--who, despite having majored in Spanish literature at university, became a benshi and voice actor (and recently a beginner's rank professional shogi player) after graduating. Each benshi generally has a specialization, and Vanilla's is Buster Keaton films, though she has performed Chaplin as well as numerous early animated shorts. She plays taisho to accompany many of her performances and speaks surprisingly good English (live in Japan for awhile and you will know what that means).
She's most well known for her extremely high pitched voice. Most think it an affectation; benshi tend to do odd things to stand out (like change their name to vanilla and wear nothing but brightly colored kimono). On a talk show, once the host finally stopped giggling, she was asked what her normal speaking voice is like. Her response: this is my normal voice.
8 Comments:
What a fascinating character. Her voice sounds like a bit like an anime film running on a projector on the verge of self-immolation.
I only became aware recently (you guessed it - reading about Brecht) that watching a silent film used to be such a gloriously anarchic affair. The fact that the Japanese feel it necessary to interpose a human mediator in the person of this benshi is further proof that I still don't understand a damn thing about Japan, but I'm amused nonetheless. Vanilla's role is another thing altogether: it doesn't seem like the cultural division of labor we have here in Amurrika (i.e. you're an actor, or a singer, or a model, or an athlete and you inevitably tank if you try to cross over) applies in Japan. Or am I wrong?
From the books I've read, the benshi tradition comes out of kabuki, as most early japanese films were simply kabuki plays. There it's very common for a single narrator to relate all the action and provide snippets of dialog while the actors merely "dance."
There are a lot of japanese "performers," for lack of a better word, who don't really stick to one genre. This lack of specialization is interesting, but I must admit it usually produces talent who aren't very good at much of anything.
could any of you elaborate more on the brecht/nicholas/mike & silent film subject? any good books on silent film? i am reading about the old films too, though following the tracks of some 1920s chinese poets.
btw, i have been keeping up with both of your blogs (mike, you seem to enjoy commenting much more than posting your own entry), but too sick of me not producing anything useful to allow myself any fun in this conversation. i am so sick of being an abd.
Jeffrey Dym's book with a really long title on benshi is informative is not terribly insightful. Granted it is just a "history," but I expect a bit more these days.
Behind the Mask of Innocence is a good read, The Silent Cinema Reader is ok, and Music and the Silent Film is dense like a mofo but absolutely amazing. If you don't read anything else I've mentioned, at least read that.
thanks, nicholas. you are always such a good friend:)
This is the 3rd time in as many days I've tried to post a comment here, and I think it's about to work.
Liansu: try an edited volume called "Bertolt Brecht on Film & Radio".
Computers, like everything else in the world outside my head these days, refuse to bend to my inexorable will.
http://www.asahi.com/english/lifestyle/TKY200503050140.html
article about father and daughter team.
http://www.katsuben.com/
Their funny website.
thanks mike and colleen! i will check out brecht's book. now it seems i have to write something about him:)
it's sad to realize i have lost all my japanese by now, but seeing and hearing the funny voice of that benshi did make me laugh:D
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